Harmonic.Audio
Major or minor

G♯ natural minor

Five sharps, F♯ C♯ G♯ D♯ A♯. Seven notes: G♯ A♯ B C♯ D♯ E F♯. Try the key’s seven chords in different places on the neck. Press a shape to hear it and see its notes.

Signature
5♯
Relative
B major
Parallel
A♭ major
Labels

Across one chord in different positions. Down the chords in one position.

iMainG♯mG♯ · B · D♯
ii°A♯°A♯ · C♯ · E
IIIMainBB · D♯ · F♯
ivC♯mC♯ · E · G♯
vD♯mD♯ · F♯ · A♯
VIMainEE · G♯ · B
VIIMainF♯F♯ · A♯ · C♯
Light up

Sounds good

Three patterns to try

Walk up to C♯m. Strum G♯m, pick A♯ and B on the way up, land on C♯m. Listen to how the bass connects the chords.

Triads on the top three strings. Three notes, two places, all G♯m. Try them when a full six-string chord feels too busy.

  • LowFret 4
  • HighFrets 7–9

Same chords, higher. The four main chords in frets 1 to 4, then again in frets 6 to 9. Listen to how the higher voicings change the sound.

Exercises in G♯ minor

Four drills, with a click

Play along with the metronome. The neck above highlights each step.

  1. Four chords in one positionG♯m – B – E – F♯ without leaving frets 3 to 7.70 bpmLevel 1
  2. Climb with one chordG♯m in all four places, low to high. Hear it brighten.60 bpmLevel 1
  3. Walk up to C♯mStrum G♯m, then walk the bass A♯ – B into C♯m.90 bpmLevel 2
  4. Scale, then chordsPlay the scale in frets 6 to 9, then the four chords there.70 bpmLevel 2

Progressions

Strum along

  1. The four-chord loop
    i – v – VI – iv
  2. The three-chord song
    i – iv – v – i
  3. The fifties ballad
    i – VI – iv – v
  4. The jazz cadence
    iiø7 – V7 – i

Why five sharps

C♯ minor with A raised

G♯ minor
  1. G♯
  2. A♯
  3. B
  4. C♯
  5. D♯
  6. E
  7. F♯
C♯ minor
  1. G♯
  2. A
  3. B
  4. C♯
  5. D♯
  6. E
  7. F♯

G♯ minor is C♯ minor with A raised to A♯.

EBEBC♯D♯F♯G♯A♯C♯D♯F♯G♯A♯

Harmonic minor

Harmonic minor change

Raising the seventh to F𝄪 changes D♯m to D♯ major on the fifth degree.