Harmonic.Audio
Major or minor

E♭ major

Three flats, B♭ E♭ A♭. Seven notes: E♭ F G A♭ B♭ C D. Try the key’s seven chords in different places on the neck. Press a shape to hear it and see its notes.

D♯ and E♭ are the same pitch. This scale is written as E♭ major because that spelling needs fewer accidentals than D♯ major.

Signature
3♭
Relative
C minor
Parallel
E♭ minor
Labels

Across one chord in different positions. Down the chords in one position.

IMainE♭E♭ · G · B♭
iiFmF · A♭ · C
iiiGmG · B♭ · D
IVMainA♭A♭ · C · E♭
VMainB♭B♭ · D · F
viMainCmC · E♭ · G
vii°D°D · F · A♭
Light up

Sounds good

Three patterns to try

Walk up to A♭. Strum E♭, pick F and G on the way up, land on A♭. Listen to how the bass connects the chords.

Triads on the top three strings. Three notes, three places, all E♭. Try them when a full six-string chord feels too busy.

  • LowFrets 3–4
  • MiddleFrets 6–8
  • HighFrets 11–12

Same chords, higher. The four main chords in frets 1 to 4, then again in frets 5 to 9. Listen to how the higher voicings change the sound.

Exercises in E♭ major

Four drills, with a click

Play along with the metronome. The neck above highlights each step.

  1. Four chords in one positionE♭ – A♭ – B♭ – Cm without leaving frets 3 to 6.70 bpmLevel 1
  2. Climb with one chordE♭ in all four places, low to high. Hear it brighten.60 bpmLevel 1
  3. Walk up to A♭Strum E♭, then walk the bass F – G into A♭.90 bpmLevel 2
  4. Scale, then chordsPlay the scale in frets 5 to 9, then the four chords there.70 bpmLevel 2

Progressions

Strum along

  1. The four-chord loop
    I – V – vi – IV
  2. The three-chord song
    I – IV – V – I
  3. The fifties ballad
    I – vi – IV – V
  4. The jazz cadence
    ii7 – V7 – Imaj7

Why three flats

B♭ major with A lowered

E♭ major
  1. E♭
  2. F
  3. G
  4. A♭
  5. B♭
  6. C
  7. D
B♭ major
  1. E♭
  2. F
  3. G
  4. A
  5. B♭
  6. C
  7. D

E♭ major is B♭ major with A lowered to A♭.

CDFGCDFGE♭A♭B♭E♭A♭B♭