Harmonic.Audio
Major or minor

C♯ natural minor

Four sharps, F♯ C♯ G♯ D♯. Seven notes: C♯ D♯ E F♯ G♯ A B. Try the key’s seven chords in different places on the neck. Press a shape to hear it and see its notes.

Signature
4♯
Relative
E major
Parallel
D♭ major
Labels

Across one chord in different positions. Down the chords in one position.

iMainC♯mC♯ · E · G♯
ii°D♯°D♯ · F♯ · A
IIIMainEE · G♯ · B
ivF♯mF♯ · A · C♯
vG♯mG♯ · B · D♯
VIMainAA · C♯ · E
VIIMainBB · D♯ · F♯
Light up

Sounds good

Three patterns to try

Walk up to F♯m. Strum C♯m, pick D♯ and E on the way up, land on F♯m. Listen to how the bass connects the chords.

Triads on the top three strings. Three notes, three places, all C♯m. Try them when a full six-string chord feels too busy.

  • LowFrets 0–2
  • MiddleFrets 4–6
  • HighFret 9

Same chords, higher. The four main chords in frets 1 to 4, then again in frets 6 to 10. Listen to how the higher voicings change the sound.

Exercises in C♯ minor

Four drills, with a click

Play along with the metronome. The neck above highlights each step.

  1. Four chords in one positionC♯m – E – A – B without leaving frets 4 to 7.70 bpmLevel 1
  2. Climb with one chordC♯m in all four places, low to high. Hear it brighten.60 bpmLevel 1
  3. Walk up to F♯mStrum C♯m, then walk the bass D♯ – E into F♯m.90 bpmLevel 2
  4. Scale, then chordsPlay the scale in frets 6 to 10, then the four chords there.70 bpmLevel 2

Progressions

Strum along

  1. The four-chord loop
    i – v – VI – iv
  2. The three-chord song
    i – iv – v – i
  3. The fifties ballad
    i – VI – iv – v
  4. The jazz cadence
    iiø7 – V7 – i

Why four sharps

F♯ minor with D raised

C♯ minor
  1. C♯
  2. D♯
  3. E
  4. F♯
  5. G♯
  6. A
  7. B
F♯ minor
  1. C♯
  2. D
  3. E
  4. F♯
  5. G♯
  6. A
  7. B

C♯ minor is F♯ minor with D raised to D♯.

EABEABC♯D♯F♯G♯C♯D♯F♯G♯

Harmonic minor

Harmonic minor change

Raising the seventh to B♯ changes G♯m to G♯ major on the fifth degree.