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Major or minor

D♭ major

Five flats, B♭ E♭ A♭ D♭ G♭. Seven notes: D♭ E♭ F G♭ A♭ B♭ C. Try the key’s seven chords in different places on the neck. Press a shape to hear it and see its notes.

C♯ and D♭ are the same pitch. This scale is written as D♭ major because that spelling needs fewer accidentals than C♯ major.

Signature
5♭
Relative
B♭ minor
Parallel
C♯ minor
Labels

Across one chord in different positions. Down the chords in one position.

IMainD♭D♭ · F · A♭
iiE♭mE♭ · G♭ · B♭
iiiFmF · A♭ · C
IVMainG♭G♭ · B♭ · D♭
VMainA♭A♭ · C · E♭
viMainB♭mB♭ · D♭ · F
vii°C°C · E♭ · G♭
Light up

Sounds good

Three patterns to try

Walk up to G♭. Strum D♭, pick E♭ and F on the way up, land on G♭. Listen to how the bass connects the chords.

Triads on the top three strings. Three notes, three places, all D♭. Try them when a full six-string chord feels too busy.

  • LowFrets 1–2
  • MiddleFrets 4–6
  • HighFrets 9–10

Same chords, higher. The four main chords in frets 1 to 4, then again in frets 5 to 9. Listen to how the higher voicings change the sound.

Exercises in D♭ major

Four drills, with a click

Play along with the metronome. The neck above highlights each step.

  1. Four chords in one positionD♭ – G♭ – A♭ – B♭m without leaving frets 3 to 7.70 bpmLevel 1
  2. Climb with one chordD♭ in all four places, low to high. Hear it brighten.60 bpmLevel 1
  3. Walk up to G♭Strum D♭, then walk the bass E♭ – F into G♭.90 bpmLevel 2
  4. Scale, then chordsPlay the scale in frets 5 to 9, then the four chords there.70 bpmLevel 2

Progressions

Strum along

  1. The four-chord loop
    I – V – vi – IV
  2. The three-chord song
    I – IV – V – I
  3. The fifties ballad
    I – vi – IV – V
  4. The jazz cadence
    ii7 – V7 – Imaj7

Why five flats

A♭ major with G lowered

D♭ major
  1. D♭
  2. E♭
  3. F
  4. G♭
  5. A♭
  6. B♭
  7. C
A♭ major
  1. D♭
  2. E♭
  3. F
  4. G
  5. A♭
  6. B♭
  7. C

D♭ major is A♭ major with G lowered to G♭.

CFCFD♭E♭G♭A♭B♭D♭E♭G♭A♭B♭