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Major or minor

A♭ major

Four flats, B♭ E♭ A♭ D♭. Seven notes: A♭ B♭ C D♭ E♭ F G. Try the key’s seven chords in different places on the neck. Press a shape to hear it and see its notes.

G♯ and A♭ are the same pitch. This scale is written as A♭ major because that spelling needs fewer accidentals than G♯ major.

Signature
4♭
Relative
F minor
Parallel
G♯ minor
Labels

Across one chord in different positions. Down the chords in one position.

IMainA♭A♭ · C · E♭
iiB♭mB♭ · D♭ · F
iiiCmC · E♭ · G
IVMainD♭D♭ · F · A♭
VMainE♭E♭ · G · B♭
viMainFmF · A♭ · C
vii°G°G · B♭ · D♭
Light up

Sounds good

Three patterns to try

Walk up to D♭. Strum A♭, pick B♭ and C on the way up, land on D♭. Listen to how the bass connects the chords.

Triads on the top three strings. Three notes, two places, all A♭. Try them when a full six-string chord feels too busy.

  • LowFrets 4–5
  • HighFrets 8–9

Same chords, higher. The four main chords in frets 1 to 4, then again in frets 5 to 9. Listen to how the higher voicings change the sound.

Exercises in A♭ major

Four drills, with a click

Play along with the metronome. The neck above highlights each step.

  1. Four chords in one positionA♭ – D♭ – E♭ – Fm without leaving frets 3 to 6.70 bpmLevel 1
  2. Climb with one chordA♭ in all four places, low to high. Hear it brighten.60 bpmLevel 1
  3. Walk up to D♭Strum A♭, then walk the bass B♭ – C into D♭.90 bpmLevel 2
  4. Scale, then chordsPlay the scale in frets 5 to 9, then the four chords there.70 bpmLevel 2

Progressions

Strum along

  1. The four-chord loop
    I – V – vi – IV
  2. The three-chord song
    I – IV – V – I
  3. The fifties ballad
    I – vi – IV – V
  4. The jazz cadence
    ii7 – V7 – Imaj7

Why four flats

E♭ major with D lowered

A♭ major
  1. A♭
  2. B♭
  3. C
  4. D♭
  5. E♭
  6. F
  7. G
E♭ major
  1. A♭
  2. B♭
  3. C
  4. D
  5. E♭
  6. F
  7. G

A♭ major is E♭ major with D lowered to D♭.

CFGCFGD♭E♭A♭B♭D♭E♭A♭B♭