Harmonic.Audio
Major or minor

F♯ major

Six sharps, F♯ C♯ G♯ D♯ A♯ E♯. Seven notes: F♯ G♯ A♯ B C♯ D♯ E♯. Try the key’s seven chords in different places on the neck. Press a shape to hear it and see its notes.

Signature
6♯
Relative
D♯ minor
Parallel
F♯ minor
Labels

Across one chord in different positions. Down the chords in one position.

IMainF♯F♯ · A♯ · C♯
iiG♯mG♯ · B · D♯
iiiA♯mA♯ · C♯ · E♯
IVMainBB · D♯ · F♯
VMainC♯C♯ · E♯ · G♯
viMainD♯mD♯ · F♯ · A♯
vii°E♯°E♯ · G♯ · B
Light up

Sounds good

Three patterns to try

Walk up to B. Strum F♯, pick G♯ and A♯ on the way up, land on B. Listen to how the bass connects the chords.

Triads on the top three strings. Three notes, three places, all F♯. Try them when a full six-string chord feels too busy.

  • LowFrets 2–3
  • MiddleFrets 6–7
  • HighFrets 9–11

Same chords, higher. The four main chords in frets 1 to 4, then again in frets 6 to 9. Listen to how the higher voicings change the sound.

Exercises in F♯ major

Four drills, with a click

Play along with the metronome. The neck above highlights each step.

  1. Four chords in one positionF♯ – B – C♯ – D♯m without leaving frets 3 to 7.70 bpmLevel 1
  2. Climb with one chordF♯ in all four places, low to high. Hear it brighten.60 bpmLevel 1
  3. Walk up to BStrum F♯, then walk the bass G♯ – A♯ into B.90 bpmLevel 2
  4. Scale, then chordsPlay the scale in frets 6 to 9, then the four chords there.70 bpmLevel 2

Progressions

Strum along

  1. The four-chord loop
    I – V – vi – IV
  2. The three-chord song
    I – IV – V – I
  3. The fifties ballad
    I – vi – IV – V
  4. The jazz cadence
    ii7 – V7 – Imaj7

Why six sharps

B major with E raised

F♯ major
  1. F♯
  2. G♯
  3. A♯
  4. B
  5. C♯
  6. D♯
  7. E♯
B major
  1. F♯
  2. G♯
  3. A♯
  4. B
  5. C♯
  6. D♯
  7. E

F♯ major is B major with E raised to E♯.

E♯BE♯BC♯D♯F♯G♯A♯C♯D♯F♯G♯A♯