Harmonic.Audio
Major or minor

B♭ major

Two flats, B♭ E♭. Seven notes: B♭ C D E♭ F G A. Try the key’s seven chords in different places on the neck. Press a shape to hear it and see its notes.

A♯ and B♭ are the same pitch. This scale is written as B♭ major because that spelling needs fewer accidentals than A♯ major.

Signature
2♭
Relative
G minor
Parallel
B♭ minor
Labels

Across one chord in different positions. Down the chords in one position.

IMainB♭B♭ · D · F
iiCmC · E♭ · G
iiiDmD · F · A
IVMainE♭E♭ · G · B♭
VMainFF · A · C
viMainGmG · B♭ · D
vii°A°A · C · E♭
Light up

Sounds good

Three patterns to try

Walk up to E♭. Strum B♭, pick C and D on the way up, land on E♭. Listen to how the bass connects the chords.

Triads on the top three strings. Three notes, three places, all B♭. Try them when a full six-string chord feels too busy.

  • LowFrets 1–3
  • MiddleFrets 6–7
  • HighFrets 10–11

Same chords, higher. The four main chords in frets 1 to 4, then again in frets 5 to 8. Listen to how the higher voicings change the sound.

Exercises in B♭ major

Four drills, with a click

Play along with the metronome. The neck above highlights each step.

  1. Four chords in one positionB♭ – E♭ – F – Gm without leaving frets 2 to 6.70 bpmLevel 1
  2. Climb with one chordB♭ in all four places, low to high. Hear it brighten.60 bpmLevel 1
  3. Walk up to E♭Strum B♭, then walk the bass C – D into E♭.90 bpmLevel 2
  4. Scale, then chordsPlay the scale in frets 5 to 8, then the four chords there.70 bpmLevel 2

Progressions

Strum along

  1. The four-chord loop
    I – V – vi – IV
  2. The three-chord song
    I – IV – V – I
  3. The fifties ballad
    I – vi – IV – V
  4. The jazz cadence
    ii7 – V7 – Imaj7

Why two flats

F major with E lowered

B♭ major
  1. B♭
  2. C
  3. D
  4. E♭
  5. F
  6. G
  7. A
F major
  1. B♭
  2. C
  3. D
  4. E
  5. F
  6. G
  7. A

B♭ major is F major with E lowered to E♭.

CDFGACDFGAE♭B♭E♭B♭