Harmonic.Audio

C mixolydian

C major with one note lowered: B♭. Seven notes: C D E F G A B♭. The same notes as F major, centred on C.

Parent key
F major Same notes
Colour note
B♭ The flat 7th
Repeating chords
C – B♭ I – ♭VII
80 bpm
Labels

Across one chord in different positions. Down one place, every chord of the mode.

IVampCC · E · G
iiDmD · F · A
iii°E°E · G · B♭
IVFF · A · C
vGmG · B♭ · D
viAmA · C · E
♭VIIVampB♭B♭ · D · F
Light up

What makes it mixolydian

Major, with the 7th lowered

One note separates C mixolydian from C major: B becomes B♭. Over the same root, that turns C – B° into C – B♭.

C major
  1. C
  2. D
  3. E
  4. F
  5. G
  6. A
  7. B
C mixolydian
  1. C
  2. D
  3. E
  4. F
  5. G
  6. A
  7. B♭

Hear the difference

3x
C7

One chord that says mixolydian

C7 holds B♭, the colour note. Play it to hear those notes together.

The brightness ladder

Seven modes on C

From brightest to darkest, each row lowers one note of the row above. Mixolydian is row 3 of seven.

↑ Brighter

  1. C lydianCDEF♯GAB♯4
  2. C ionian (major)CDEFGAB—
  3. C mixolydianCDEFGAB♭♭7
  4. C dorianCDE♭FGAB♭♭3 ♭7
  5. C aeolian (natural minor)CDE♭FGA♭B♭♭3 ♭6 ♭7
  6. C phrygianCD♭E♭FGA♭B♭♭2 ♭3 ♭6 ♭7
  7. C locrianCD♭E♭FG♭A♭B♭♭2 ♭3 ♭5 ♭6 ♭7

Darker ↓

Jam along

Three drills over the vamp

Play over the repeating C – B♭ chords with a metronome. The neck highlights the notes to aim for, with B♭ ringed.

  1. The vamp, with a clickC – B♭, two bars each, in frets 2–6. Strum on the beat.80 bpmLevel 1
  2. Scale over the vampUp the scale and back down, one note a beat, while C – B♭ sounds. Stay in frets 2–6.80 bpmLevel 1
  3. Land on the colour noteOver B♭, aim for B♭. It is the note that makes it mixolydian.80 bpmLevel 2