Harmonic.Audio

A mixolydian

A major with one note lowered: G. Seven notes: A B C♯ D E F♯ G. The same notes as D major, centred on A.

Parent key
D major Same notes
Colour note
G The flat 7th
Repeating chords
A – G I – ♭VII
80 bpm
Labels

Across one chord in different positions. Down one place, every chord of the mode.

IVampAA · C♯ · E
iiBmB · D · F♯
iii°C♯°C♯ · E · G
IVDD · F♯ · A
vEmE · G · B
viF♯mF♯ · A · C♯
♭VIIVampGG · B · D
Light up

What makes it mixolydian

Major, with the 7th lowered

One note separates A mixolydian from A major: G♯ becomes G. Over the same root, that turns A – G♯° into A – G.

A major
  1. A
  2. B
  3. C♯
  4. D
  5. E
  6. F♯
  7. G♯
A mixolydian
  1. A
  2. B
  3. C♯
  4. D
  5. E
  6. F♯
  7. G

Hear the difference

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A7

One chord that says mixolydian

A7 holds G, the colour note. Play it to hear those notes together.

The brightness ladder

Seven modes on A

From brightest to darkest, each row lowers one note of the row above. Mixolydian is row 3 of seven.

↑ Brighter

  1. A lydianABC♯D♯EF♯G♯♯4
  2. A ionian (major)ABC♯DEF♯G♯—
  3. A mixolydianABC♯DEF♯G♭7
  4. A dorianABCDEF♯G♭3 ♭7
  5. A aeolian (natural minor)ABCDEFG♭3 ♭6 ♭7
  6. A phrygianAB♭CDEFG♭2 ♭3 ♭6 ♭7
  7. A locrianAB♭CDE♭FG♭2 ♭3 ♭5 ♭6 ♭7

Darker ↓

Jam along

Three drills over the vamp

Play over the repeating A – G chords with a metronome. The neck highlights the notes to aim for, with G ringed.

  1. The vamp, with a clickA – G, two bars each, in frets 2–6. Strum on the beat.80 bpmLevel 1
  2. Scale over the vampUp the scale and back down, one note a beat, while A – G sounds. Stay in frets 2–6.80 bpmLevel 1
  3. Land on the colour noteOver G, aim for G. It is the note that makes it mixolydian.80 bpmLevel 2